See an image that represents tlapalli in the Visual Lexicon of Aztec Hieroglyphs, ed. Stephanie Wood (Eugene, Ore.: Wired Humanities, 2020-present).
tlapalli = red; totlapallo = our redness (central Mexico, sixteenth century)
Fr. Bernardino de Sahagún, Florentine Codex: General History of the Things of New Spain; Book 10 -- The People, No. 14, Part 11, eds. and transl. Arthur J. O. Anderson and Charles E. Dibble (Santa Fe and Salt Lake City: School of American Research and the University of Utah, 1961), 132.
auh in ichpochtli mochichiuaia tancuic yn icue, ioan yn ivipil: mopotoniaya, tlapaliuitica = and the maidens arrayed themselves; their skirts and shifts were new. They pasted themselves with red feathers. (central Mexico, sixteenth-century)
James Lockhart, We People Here: Nahuatl Accounts of the Conquest of Mexico, Repertorium Columbianum v. 1 (Los Angeles: UCLA Center for Medieval and Renaissance Studies, 1993), 221.
Tetzon, teizti, teuitzyo, teaoayo, tetentzon, teixquamul, tetzicueuhca, tetlapanca. Quitoznequi: in aquin oncan tlacati tlatocamecayopan, pilpan: ioan nel no motocayotia. teezzo, tetlapallo = Someone's hair, nails, thorns, briers, eyebrows, chip, and silver. This means someone born of nobility, of a noble family. He was also designated as, someone's blood, someone's red ink. (central Mexico, sixteenth-century)
Thelma D. Sullivan, "Nahuatl Proverbs, Conundrums, and Metaphors, Collected by Sahagún," Estudios de Cultura Náhuatl 4 (1963), 148–149.
ma ixquich motlapaltzin = a phrase of encouragement, it means, literally, "may it be all your red color," referring to the color of one's cheeks after exerting energy = "make a valiant effort."
Louise M. Burkhart, Holy Wednesday: A Nahua Drama from Early Colonial Mexico (Philadelphia: University of Pennsylvania Press, 1996), 183.
amo qujttaz in tlapalli, ca ixtlapal in tlacatiz piltontli = she should not look upon anything red, for the child would be [extended] crosswise when it was to be born (central Mexico, sixteenth century)
Fr. Bernardino de Sahagún, Florentine Codex: General History of the Things of New Spain; Book 6 -- Rhetoric and Moral Philosophy, No. 14, Part 7, eds. and transl. Arthur J. O. Anderson and Charles E. Dibble (Santa Fe and Salt Lake City: School of American Research and the University of Utah, 1961), 156.
eztli tlapalli = blood + dye = a metaphor for offspring (central Mexico, 1634)
Bartolomé de Alva, A Guide to Confession Large and Small in the Mexican Language, 1634, eds. Barry D. Sell and John Frederick Schwaller, with Lu Ann Homza (Norman: University of Oklahoma Press, 1999), 22.
chichicoomototl in qujlipia, iehoatl yn ocholli catca, camaquentia, tlauhio, colxaoa: yoan conolchichipitza… Auh in ichpopuchti, tlapaliujtica qujnpotonja, in inmac, ymicxic, yoã qujnxaoaia, ovme qujnpilhuja chapopotli apetztzo, tlaapetzujlli, tlaapetziotilli: necoccampa incamatepa = They bound the cobs of maize in groups of seven; these were the clusters [of cobs of maize]. They wrapped them in red paper, and painted them with liquid rubber; and they sprinkled on them drops of liquid rubber… And they pasted the young girls’ arms and legs with red feathers; they painted their faces, fastening [on them] two [circles of] fish paste flecked with iron pyrites on both sides, on their cheeks. (16th century, Mexico City)
Fr. Bernardino de Sahagún, Florentine Codex: General History of the Things of New Spain; Book 2—The Ceremonies, No. 14, Part III, eds. and transl. Arthur J. O. Anderson and Charles E. Dibble (Santa Fe and Salt Lake City: School of American Research and the University of Utah, 1951), 61.